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Of Unique Works on Paper:
Rimer Cardillo, Guggenheim and Pollock Prize sculptor, graphic, and installation artist contructs an imaginary South American landscape fused with his current home in the Hudson Valley. He celebrates the ancient art of the woodcut, often fusing it with modern photographic technology. The imagery is of his Hudson Valley pond and estancias of South America—fusing the natural world of his home in the United States with his native Uruguay. We see images of wheel barrows and hay in the form of the cupi, literally ant hill, of South America. The dogs on the estancia are Cimarrones, a mixed breed of wild Uruguayan dog and European domesticated ones. The political is ever present, as Cardillo is acutely aware of the demise of native peoples and animals in his homeland.
Of Cardillo's Boxes:
Cardillo's series of boxes encapsulate environments,
objects, and images that he came into contact with and
imagined during his travels in the Amazon Rain Forest
and in the landscape of New York's Hudson Valley.
These boxes from a traveler also represent ideas and
thoughts that I have played with while involved in different
art projects in this last decade. I sketch things I
see and images that come to mind while I traverse many
realities and environments.
I work closely with carpenters and bronze casters, these
boxes intend to show the excellence and sophistication
of craftsmanship obtained by family trained, traditional
artisans.
The etching and engraving brass and copper plates that
I produce for printmaking are included in the boxes.
In this case the plates show a metalsmith refinement
and they work as an art object by themselves.
These containers and their objects, drawings in metal,
ceramic pieces, engraved small bronzes, were finished
for close examination and tactile contact with the materials.
It is the intent for the viewer to experience the unity
of concept and craft as an expression of the human knowledge. -- Rimer Cardillo
For Cardillo, the box itself possesses a metaphorical
plurality and psychological dualism; in some cases an
object gathered into a box had already appeared in a
print, while in other instances items accumulated within
a collection would only infiltrate into the artist's
printmaking repertoire with time. Eventually, the Collection
Boxes and their contents became the central subject
matter and the primary source materials for Cardillo's
art. -- Karl Emil Willers, Curator of Impressions (and
other images of memory), Samuel Dorsky Museum of Art
In some of the Birds of Gardiner prints,
as many as eight colors of ink have been applied to
create the rich texture of the final image — and
a single color could be passed through the screen more
than once to create a dozen or more layers of ink on
each sheet.
...unique variations were made in which Cardillo began
by sponging ink directly on the paper to form an intense
puddle or stain on which the image was then screened.
Cooler and more brilliant shades such as lavender or
rose were also used to create, from one screen, an array
of variations — with both subtle and striking differences. -- Karl Emil Willers
Selected Solo Exhibitions |
2010
Rimer Cardillo: Cupí. Museum of Kiscell, Medieval Trinitarian Space, Budapest, Hungary
Unique Works on Paper, Chace-Randall Gallery, Andes, New York
Sinergia del micro y el macrcosmo, Galeria del Paseo Arte Contemporaneo, Manantiales, Punta del Este, Uruguay |
2009
New Carapaces and Bronzes, Galeria del Paseo Arte Contemporaneo, Manantiales, Punta del Este, Uruguay
Exposition Rimer Cardillo. ExAcadémie Libanaise des Beaux-Arts ALBA, Beirut, Lebanon
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2008
ARTEBA’08 International Art Fair, Open Space, La Rural, Buenos Aires, Argentina
Works on Paper and Carapaces, Galeria del Paseo Arte Contemporaneo, Manantiales, Punta del Este, Uruguay |
2007
Caparazones cajas y pajaros, del Paseo Arte Contemporaneo, Montevideo, Uruguay
Birds by Rimer Cardillo, Chace-Randall Gallery, Andes, NY
Trabajos sobre papel y algunas cajas, del Paseo Arte Contemporaneo, Punta del Este, Manantiales, Maldonado, Uruguay |
2006
Tattooed Bird Boxes, Medialia Gallery, New York |
2004
Impressions (and Other Images of Memory), Samuel Dorsky Museum, State University of New York, New Paltz |
2001
Cupí degli Uccelli, Venice Biennial |
| Vanishing Habitats, Bernice Steinbaum Gallery, Miami |
1999
Ñandú, The Islip Art Museum, East Islip, New York |
1998
Rimer Cardillo: Araucaria, The Bronx Museum of the Arts, New York |
| The Squirrel My Grandma Never Saw, Cavin-Morris Gallery, New York |
1996
Pachamazon, Cavin-Morris Gallery, New York |
1995
Catafalque, Cavin-Morris Gallery, New York |
1994
Espinillo, National Museum of Anthropology, Montevideo |
1992
Rimer Cardillo: Works on Paper, Galeria Sur, Punta del Este, Uruguay |
1991
Charrúas y Montes Criollos, Salon Municipal de Exposiciones and Museo Fernando Garcia, Montevideo |
1989
Rimer Cardillo: Altares, INTAR Gallery, New York |
| Rimer Cardillo: Grabados en relieve, Museo Rayo, Roldanillo, Valle, Colombia |
1988
Rimer Cardillo, Bachus Gallery, Boras, Sweden |
| Rimer Cardillo, Monica Betnbasat Gallery, Norrkoping, Sweden |
| Rimer Cardillo, Galeria Latina, Montevideo |
1986
Obra Reciente: Rimer Cardillo, Museo de Arte Contemporaneo, Montevideo |
| Rimer Cardillo, Strand Gallery, Sodertalje, Sweden |
1984
Works On Paper, Gallery 101, Malmo, Sweden |
1983
Rimer Cardillo, Galeria Vermeer, Buenos Aires |
| Rimer Cardillo: Grabados, Galeria Latina, Montevideo |
1982
Rimer Cardillo: Barroquismos Latinos, INTAR Gallery, New York |
1980
Rimer Cardillo, Southern Illinois University Museum, Carbondale |
1978
Rimer Cardillo, Trapecio Gallery, Lima |
1977
Rimer Cardillo, Condado Gallery, San Juan, Puerto Rico |
1975
Rimer Cardillo, Gerdao Gallery and Allianca Francesa, Porto Alegre, Brazil |
| Rimer Cardillo, Museo del Grabado, Buenos Aires |
1973
Chicharras y Mariposas Nocturnas, Galeria Losada, Montevideo |
1968
Rimer Cardillo: Grabados, Galeria Amigos del Arte, Montevideo |
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| Selected Group Exhibitions |
2009
The VIth Novosibirsk International Biennial of contemporary Graphic Art, Novosibirsk, Russia 2009.
Patterns in Practice, Dorsky Gallery Curatorial Programs, Long Island City, NY
Rimer Cardillo / Darryl Lauster. The Gallery at The University of Texas at Arlington. Arlington, TX
Exposition Rimer Cardillo. ExAcadémie Libanaise des Beaux-Arts ALBA, Beirut, Lebanon
New Carapaces and Bronzes, Galería del Paseo Arte Contemporáneo, Manantiales, Punta del Este, Uruguay
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2008
International Print Show La huella del grabado (The mark of Print II), Cultural Center of the Catholic University of Ecuador, Quito, Ecuador
Buenos Aires Photo 2008, International Photography Art Fair Exhibition, “Sets for insects”, Del Paseo Gallery Stand, Buenos Aires, Argentina
On Paper: Nature, Line and Layer, Chace-Randall Gallery, Andes, NY
20th Anniversary Exhibition, The Museum of Contemporary Art at Hongik University, Seoul, Korea
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2007
Prints Tokyo 2007 International Print Exhibition, Tokyo, Japan
Episodes and Itineraries: Graphic Installations by South American Artists, Sherman Gallery, Boston, MA |
2006
Vanishing Boundaries, The Pearl Gallery, Stone Ridge, NY |
2005
Cupí and Birds of Clay, Oil and Ashes, THRUST – The 26th Biennial of Graphic Arts Ljubljana
Myths , Science, Metaphors: Rimer Cardillo and Jani Konstantinovski Puntos, Jagiellonian Library, Cracow, Poland
Art of the Print, Art Museum of the Americas, Washington, D.C.
Contradicciones y Convivencias: Arte de America latina 1981-2000. Luis Angel Arango Library in Bogota, Colombia. Inter-American Development Bank, Washington D.C |
2004
Pájaros de aceite, barro y ceniza, Bienal del Barro, Centro Lía Bermúdez, Maracaibo, Venezuela |
2003
From the Purple Land to the Hudson River Valley, Tate Modern, London |
| International Print Triennial of Cracow |
| Metaphors of Caribbean and Latin American Trans-nationalism, |
| Dominik Rostworowski gallery in Krakow, L'espace Alexandre Dumas inParis |
| Selections: A Shriek from an Invisible Box, Medialia Art Gallery, New York |
2002
Premio Figari, Museo de Artes Visuales, Montevideo |
| Rayuela/Hopscotch: 15 Contemporary Latin American Artists |
| The University Art Gallery at The University of Scranton, |
| The Mahady Gallery at Marywood University, Pennsylvania |
2001
Paraíso, Second Biennial of Buenos Aires |
| A Shriek from an Invisible Box, Meguro Museum of Art, Tokyo |
2000
Really Big Prints, National Prints Invitational, Rockford College Art Gallery, Rockford, Illinois |
1999
Prints by Latin American Masters, Chateau d' Argenteuil, Waterloo, Belgium |
1997
First Mercosul Biennial, Porto Alegre, Brazil |
| Landcapes: An Exhibition of Sculpture, The Washington Sculptors Group and Art Museum of the Americas, Organization of American States, Washington, D.C. |
| Contemporary Latin American Art from the Ulla and Greger Ollson Art Collection, Kultur Centrum, Ronneby, Sweden |
1996
In the Making: The First Ten Years of the Permanent Collection, Islip Art Museum, East Islip, New York |
| Segunda Bienal del Barro de America, Museo de Arte Contemporaneo Sofia Imber, Caracas |
1995
Twenty-fifth Anniversary exhibition, Artists Talk Back: Reaffirming Spirituality, Part III, El Museo del Barrio, New York |
| Confronting Nature: Silenced Voices, Guggenheim Gallery, Chapman University, Orange, California |
| Grabadores Latinoamericanos y del Caribe 1960-1970, Instituto de Cultura Puertorriquena, San Juan |
1994
Rejoining the Spiritual: The Land in Contemporary Latin American Art, Maryland Institute College of Art, Baltimore |
| Fifth Havana Biennial, Havana |
| inSITE94, Museum of Contemporary Art, San Diego, California and Tijuana, Mexico |
1993
Revelaciones/Revelations: Hispanic Art of Evanescence, Herbert F. Johnson Museum of Art, Cornell University, Ithaca |
| Personal Choice: Selections from Four Penn Alumni Collections, Institute of Contemporary Art, University of Pennsylvania, Philadelphia |
| Quincentenary: Recollections/Resistances/Reconstructions, Hillwood Art Museum, Long Island University, Brookville |
1992
Uncommon Ground: 23 Latin American Artists, College Art Gallery, State University of New York, New Paltz |
| Remerica! Amerika 1492-1992, Bertha and Leubsdorf Art Gallery, Hunter College, New York |
| Bienal del Barro de America, Museo de Arte Contemporaneo Sofia Imber, Caracas |
| Rediscoveries: The Mythmakers, Jamaica Arts Center, Jamaica, New York |
| Five Centuries after the Collision: Five Contemporary Artists' Visions, The Art Gallery, Brooklyn College, Brooklyn |
1991
Dissimilar Identity, Scott Alan Gallery, New York |
1990
China: June 4, P.S. 1 Contemporary Art Center, Long Island City |
| La ecologia a traves de la plastica (traveling exhibition), Galeria Latina, Club del Lago, Punta del Este, Uruguay |
| Sculpture of the Americas into the Nineties, Art Museum of the Americas, Organization of American States, Washington, D.C. |
| Azaceta, Cardillo, and Frigerio, Opus Gallery, Miami |
1989
Earth: Latin Americas Visions (traveling exhibition), Museum of Contemporary Hispanic Art, New York |
| Ceremony of Memory: New expressions in Spirituality among Contemporary Hispanic Artists (traveling exhibition), Center for Contemporary Arts of Santa Fe, Santa Fe, New Mexico |
| 100 Years of Uruguayan Art by Seven Artists, Venezuelan Arts Center, New York |
| Eighteenth International Biennial of Graphic Art, Ljubljana, Yugoslavia |
| Ninth Norwegian International Print Triennial, Fredrikstad, Norway |
| Fourth International Biennial Print exhibition, Taipei, Taiwan |
| ¡Mira! Hispanic Art Tour III (traveling exhibition), El Museo del Barrio, New York |
1988
Contemporary Art from Uruguay, Tretiakov Gallery, Moscow |
| Paper Visions II: Contemporary Latin American Art, Housatonic Museum of Art, Bridgeport |
| Twelfth International Print Biennial, Cracow, Poland |
| Primer Encuentro Internacional de Grabado, Museo Nacional de Artes Plasticas, Montevideo |
1986
Second Havana Biennial, Havana |
| Bienal Latinoamericana de Arte Sobre Papel, Buenos Aires |
| Three Artists from the Permanent Collection, Islip Art Museum, East Islip, New York |
1985
Selected Artists from the Eighth British International Print Biennial, Southampton Art Gallery and Artspace Galleries, Aberdeen, England |
1984
The Symbology of Transformation: Rimer Cardillo and Mariu, Mason Gross School of the Arts Gallery, Rutgers, The State University of New Jersey, New Brunswick |
1983
World Print Tour, San Francisco Museum of Modern Art, San Francisco |
| Recent Editions, Americas Society, New York |
1982
Contemporary Art from Uruguay, Instituto Ibero-Americano, Berlin |
1980
Eighth International Print Biennial, Cracow, Poland |
1976
V Bienale Internazionale Della Grafica, Pallazzo Strozzi, Florence |
1975
Eleventh International Print Biennial, Ljubljana, Yugoslavia |
1974
Bienal Internacional de Obra Grafica y Arte Seriado, Segovia, Spain |
| Intergrafik International Exhibition, Berlin |
1973
Xylon VI, International Triennial Exhibition of Woodcuts, Museum of Geneva, Switzerland |
1969
International Drawing Prix Joan Miro, Barcelona |
| Art from Uruguay, Kunsthalle Berlin, Berlin |
1967
XXX National Fine Arts Exhibition, Montevideo |
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| Public Collections |
Albion College, Department of Visual Arts, Albion, Michigan
Albright-Knox Art Gallery, Buffalo
Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
Art Institute of Chicago, Chicago
Art Museum, Porto Alegre, Brazil
Biblioteca Nacional, Caracas
Bibliotheque National de Paris, Paris
California College of Arts and Crafts, Oakland
Cincinnati Art Museum, Cincinnati
Instituto de Cultura Puertorriquena, San Juan
Instituto Nacional de Bellas Artes, Mexico City
Islip Art Museum, East Islip, New York
Museo de Arte Americano, Cuzco, Peru
Museo de Arte Contemporaneo de Puerto Rico, San Juan
Museo de Arte Contemporaneo Sofia Imber, Caracas
Museo de Artes Graficas, Maracaibo, Venezuela
Museo de Arte Moderno, Cali, Colombia
Museo del Barro, Asuncion, Paraguay
Museo de Bellas Artes, Bogota
Museo de Bellas Artes, Caracas
Museo de Bellas Artes, Santiago, Chile
Museo del Grabado, Buenos Aires
Museo Nacional de Artes Plasticas, Montevideo
Museum of Contemporary Graphic Arts, Fredrikstad, Norway
Museum of Modern Art, New York
Prints Cabinet of Berlin, Berlin
Samuel Dorsky Museum, Sate University of New York, New Paltz
Skopje Museum of Contemporary Art, Skopje, Yugoslavia
Southern Illinois University Museum, Carbondale
Art Museum of the Americas, O.A.S., Washington, D.C.
The Bronx Museum of the Arts, Bronx
The New York Public Library Collection, New York |
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| Selected Awards and Fellowships |
2006
Chancellor's Award for Excellence for Scholarship and Creative Activities, State University of New York
Research Foundation Research and Scholarship Award, State University of New York |
2002
Award, Premio Figari, Museo de Artes Visuales, Montevideo |
2000
Multimedia/lnstructional Technology Development Award, State University of New York, New Paltz |
| Research and Creative Project Grant, State University of New York, New Paltz |
1999
Multimedia/Instructional Technology Development Award, State University of New York, New Paltz |
| Research and Creative Project Grant, State University of New York, New Paltz |
1998
Research and Creative Project Grant, State University of New York, New Paltz |
1998
First Prize, Twelfth San Juan Print Biennial of Latin America and the Caribbean, Instituto de Cultura Puertorriquena |
1997
John Simon Guggenheim Memorial Foundation Fellowship |
| New York Foundation for the Arts Research Fellowship |
| Research and Creative Project Grant, State University of New York, New Paltz |
1996
Research and Creative Project Grant, State University of New York, New Paltz |
1993
International Artist-in-Residence Program, Arts International, Institute of International Education |
1991
New York Foundation for the Arts Visual Arts Fellowship |
1990
Pollock-Krasner Foundation Fellowship |
1989
New York State Council on the Arts Fellowship |
1988
Adolf and Esther Gottlieb Foundation Fellowship |
1987
Purchase Prize, Seventeenth International Biennial, Ljubljana, Yugoslavia |
1986
State Award, Eleventh International Print Biennial, Cracow, Poland |
1985
New York Foundation for the Arts Visual Arts Fellowship |
1969
German Ministry of Culture Research Fellowship |
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| Public Works |
2008
Some are Absolutely Blue. The Blue Bird Sculpture Park, Hills of the Lagoon, Punta Ballena, Uruguay. |
2007
La stele dell'archeologo, Permanent Installation of an outdoor large marble sculpture at the Centro internazionale di scultura all'aperto, Museo del Parco in Porttofino, Italy |
2006
Cupí de La Loggia, Centro D'Arte La Loggia, Florence
La stele dell'archeologo, Centro internazionale di scultura all'aperto, Portofino |
2005
Barca de la crucifixion (from Charrúas y Montes Criollos). Wood, iron, cement, soil, steel, lead. 3.30m. x 2.75m. x 7.30m., Outdoor Sculpture Garden, National Museum of Fine Art, Montevideo, Uruguay. |
2004
Environment and Culture: From the Amazon to the Hudson River Valley, Humanities Building Excelsior Concourse, State University of New York, New Paltz |
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| Selected Bibliography |
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The International Exchange Exhibition of Prints (exhibition catalog). The Museum of Contemporary Art at Hongik University, Seoul, Korea. 2008
Schneider, Arnd and Christopher Wright. Contemporary Art and Anthropology: Oxford, UK: Berg Publishers, 2006
Inductions of Space: Rimer Cardillo and Jani Konstantinovski Puntos, Cracow: DA Graf Publishers, 2006, p.9, Essay by Lucy Lippard.
Volumi in equilibrio (permanent collection catalog). Portofino, Italy: Museo del Parco: Centro internazionale di scultura all'aperto, 2005, pp. 52-53. Essay Daniele Crippa.
Myths, Science, Metaphors: Rimer Cardillo and Jani Konstantinovski Puntos (exhibition catalog), Krakow: Jagiellonian Library, 2005, p.10, Essay by Janusz Antos.
Permanent collection catalog: Quarta Edizionen, Portofino, Italy: Museo del Parco: Centro internazionale di scultura all'aperto, Editor Maxi Grafica – Massa e Cozzile (PT), 2004.
Impressions (and other images of memory) (exhibition catalog). New Paltz, NY: Samuel Dorsky Museum of Art, 2004.
Cupí degli Uccelli (exhibition catalog), Venice, Italy: Biennial of Venice, New York: TransImage, 2001.
Rimer Cardillo: Araucaria (exhibition catalog), New York: The Bronx Museum of the Arts, 1998.
Allen, Lynne and Phyllis McGibbon.The Best of Printmaking: An International Collection. Gloucester, MA: Rockport Publishers, Inc., 1997, p. 103.
Turner, Grady T. "Rimer Cardillo at Cavin-Morris." Art in America, 10 (October, 1996), p. 117.
Vojko, Joe. "Rimer Cardillo at Cavin-Morris." Review, 1, No. 1 (April 1996), p. 5.
Sullivan, Edward, ed. Latin American Art in the Twentieth Century. New York: Phaidon Press, 1996, p. 280.
Schneider, Arnd. "Uneasy Relationships: Contemporary Artists and Anthropology." Journal of Material Culture, 1, No. 2 (1996), pp. 197, 201.
Sánchez Prieto, Margarita. "Memoria e identidad en el arte uruguayo de la post-dictadura." II Encuentro international sobre arte contemporáneo (exhibition catalogue).
Havana, Cuba: Centra Wifredo Lam, 1995, pp. 26-39.
Duncan, Michael. "Art of the Living Dead."Confronting Nature: Silenced Voices (exhibition catalogue). Fullerton and Orange, California: Main Art Gallery, California State University and Guggenheim Gallery, Chapman University, 1995, p. 12.
_. "Mitologías de ausencia en el arte uruguayo de hoy: Las instalaciones de Rimer Cardllo y Nelbia Romero." Artes Plásticas na América Latino Contemporânea, comp. Maria Amélia Bulhões and Maria Lúcia Bastos Kern. Porto Alegre, Brazil: Editora da Universidade Federal do Rio Grande do Sul, 1994, pp. 151-165.
_. "Rimer Cardillo: The State of Memory." Art Nexus, 12 (April-June, 1994), pp. 60-64.
Rejoining the Spiritual: The Land in Contemporary Latin American Art (exhibition catalogue). Baltimore: Maryland Institute College of Art, 1994, pp. 11, 27-29.
Revelaciones/Revelations: Hispanic Art of Evanescence (exhibition catalogue). Ithaca, New York: Herbert F. Johnson Museum of Art, Cornell University, 1993.
Bienal del Barro de America (exhibition catalogue). Caracas: Museo de Arte Contemporáneo Sofia Imber, 1992, pp. 12, 45. Essay by Roberto Guevara.
Rimer Cardillo: Works on Paper (exhibition catalogue). Punta del Este, Uruguay: Galería Sur, 1992.
Stellweg, Carla. "Uncommon Ground: 23 Latin American Artists." Uncommon Ground: 23 Latin American Artists (exhibition catalogue). New Paltz: College Art Gallery, State University of New York, 1992, pp. 19-20.
Américas (exhibition catalogue). Huelva, Spain: Monasterio de Santa Clara Moguer, 1992, pp. 25, 58, 90. Essay by Berta Sichel.
Charrúas y Montes Criollos: A los quiñientos años de la conquista europea (exhibition catalogue). Montevideo: Salon Municipal de Exposiciones, 1991. Essay by Alicia Haber.
Goldman, Shifra M. "(Re)making the Line: The Hidden Landscapes of Latin America." Latin American Drawings Today (exhibition catalogue). San Diego: San Diego Museum of Art, 1991, pp. 17, 50.
Kalenberg, Angel. Arte Uruguayo y otros. Montevideo: Editorial Galería Latina, 1990. pp. 130-131.
Wax, Carol. The Mezzotint, History, and Technique. New York: Harry N. Abrams, Inc., Publishers, 1990, pp. 248-249.
Rimer Cardillo: Altares (exhibition catalogue). New York: INTAR Gallery, 1989. Essay by Amalia Mesa-Bains.
Earth: Latin America's Visions (exhibition catalogue). Caracas and New York: Museo de Bellas Artes and Museum of Contemporary Hispanic Art, 1989, pp. 11, 55. Essay by Beatriz Savino.
Haber, Alicia."Un poderoso relieve, exhibicion de obras de Rimer Cardillo en Galería Latina." El País (Montevideo), 29 October 1988.
Rimer Cardillo (exhibition catalogue). Montevideo: Galería Latina, 1988. Essay by Angel Kalenberg.
Torruella Leval, Susana. "Identity and Change: The Latin American Challenge." ¡Mira! The Canadian Club Hispanic Art Tour III (exhibition catalogue). New York: El Museo del Barrio, 1988, pp. 28-29.
Ceremony of Memory: New Expressions in Spirituality among Contemporary Hispanic Artists (exhibition catalogue). Santa Fe, New Mexico: Center for Contemporary Arts of Santa Fe, 1988, pp. 8, 17.
de Espada, Roberto. "Rimer Cardillo, Grabados, La fascinación del misterio en el Museo de Arte Contemporáneo." El Día (Montevideo), 29 March 1986.
The Symbology of Transformation, Rimer Cardillo and Mariú (exhibition catalogue). New Brunswick: Rutgers, The State University of New Jersey, 1984. Essay by Rafael Montanez-Ortiz.
Rimer Cardillo (exhibition catalogue). Buenos Aires: Galería Vermeer, 1983. Essay by Hermenegildo Sábat.
Rimer Cardillo (exhibition catalogue). Montevideo: Galería Latina, 1982. Essay by Manuel Espinola Gomez.
Garcia Esteban, Fernando. "Fernando Cardillo y el grabado." Humboldt, 20, No. 68 (1979), pp. 32-37.
Rimer Angel Cardillo: Grabados y objetos gráfico-ecológicos (exhibition catalogue). Montevideo: Centro Metropolitano de Artes, 1979. Essay by Fernando Garcia Esteban.
Argul, José Pedro. Proceso de las artes plásticas del Uruguay. Montevideo: Barreiro y Ramos, 1975, p. 85. |
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